I think Dylan Jones is on to something when he describes it as "the first existential country song" (although Hank Williams might disagree). If you love this song, like me, you feel the longing and the emotional depth, but you probably can't quite describe it. Maybe it's the Gulbransen synthesizer.
Nerd alert: the studio recording featured a Danelectro 6-string bass (baritone guitar) hastily borrowed from Carol Kaye, not the Fender VI shown in this clip. You knew that, of course.
From "The Smothers Brothers", 1968, live vocals and Fender VI solo!
Nerd alert: the studio recording featured a Danelectro 6-string bass (baritone guitar) hastily borrowed from Carol Kaye, not the Fender VI shown in this clip. You knew that, of course.
From "The Smothers Brothers", 1968, live vocals and Fender VI solo!
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